British School at Athens, 1966. — 214 p. — (Supplementary Volume 3). When the technical methods by which the Greeks carved their statues were first discussed, no one doubted that the range of their tools and the way they used them were very similar to those customary at the time of such discussion.1 It was generally agreed that hammer, punch, saw, drill; pointed, flat, rounded,...
Crown Publishers, 1968. — 266 p. Particular aspects of the problem of the relation between early Greek art and the civilizations of the ancient Near East have engaged the attention of many scholars over a period of several generations. But only two monographs exist that treat the problem as a whole. The first general survey came from the pen of the Danish scholar Frederik...
University of California Press, 1988. — 354 p. — (California Studies in the History of Art 25). D. A. Amyx's three-volume Corinthian Vase-Painting of the Archaic Period , published in 1988, is a monumental work that serves as the bedrock of Corinthian pottery studies. It still stands as the most comprehensive and detailed account of the stylistic, contextual, and iconographic...
University of California Press, 1988. — 364 p. — (California Studies in the History of Art 25). D. A. Amyx's three-volume Corinthian Vase-Painting of the Archaic Period , published in 1988, is a monumental work that serves as the bedrock of Corinthian pottery studies. It still stands as the most comprehensive and detailed account of the stylistic, contextual, and iconographic...
University of California Press, 1988. — 72 p. — (California Studies in the History of Art 25). D. A. Amyx's three-volume Corinthian Vase-Painting of the Archaic Period , published in 1988, is a monumental work that serves as the bedrock of Corinthian pottery studies. It still stands as the most comprehensive and detailed account of the stylistic, contextual, and iconographic...
University of California Press, 1988. — 71 p. — (California Studies in the History of Art 25). D. A. Amyx's three-volume Corinthian Vase-Painting of the Archaic Period , published in 1988, is a monumental work that serves as the bedrock of Corinthian pottery studies. It still stands as the most comprehensive and detailed account of the stylistic, contextual, and iconographic...
Franz Steiner Verlag, 2011. — 71 p. — (Akademie Der Wissenschaften und der Literatur 2). Was seinen Ruhm angeht, stand der griechische Maler Apelles von Kolophon seinerzeit dem bis heute bekannten Bildhauer Praxiteles in nichts nach. Während vom Werk des letzteren noch immer Kopien in Bronze und Marmor bekannt sind, geriet der Maler weitgehend in Vergessenheit. Am Beispiel des...
Phaidon, 1967. — 212 p. This volume will meet the long-felt need for a simple, fully illustrated account in English of the sculptures of the Temple of Zeus at Olympia. This Doric temple stood in the greatest sanctuary of Zeus, where the Olympic Games were held, and the marble sculptures—most of them over life-size—were carved between 468 and 456 B.C. Representing the...
Cambridge, UK: Cambridge University Press, 2014. — 455 p., 84 b/w illus., 400 colour illus., 9 maps, 1 table. Winner of 2016 PROSE Award for Textbook, Humanities. This richly illustrated, color textbook introduces the art and archaeology of ancient Greece, from the Bronze Age through the Roman conquest. Suitable for students with no prior knowledge of ancient art, this book...
Cambridge University Press, 2014. — 464 p. This richly illustrated, four-colour textbook introduces the art and archaeology of ancient Greece, from the Bronze Age through to the Roman conquest. Suitable for students with no prior knowledge of ancient art, this textbook reviews the main objects and monuments of the ancient Greek world, emphasizing the context and function of...
Cambridge University Press, 2014. — 464 p. This richly illustrated, four-colour textbook introduces the art and archaeology of ancient Greece, from the Bronze Age through to the Roman conquest. Suitable for students with no prior knowledge of ancient art, this textbook reviews the main objects and monuments of the ancient Greek world, emphasizing the context and function of...
University of California Press, 1986. — 264 p. — (Sather Classical Lectures 24). The eight lectures that comprise this edition were first delivered by John Davidson Beazley in 1949. They were published in 1951 and soon became a of classical study of ancient Greek vases. This revised edition includes many additional illustrations.
Mondadori, 2013. — 946 p. Un'introduzione allo studio dell'arte greca, presentata in un unico volume, in linea con i programmi ministeriali dei corsi di laurea triennale. Partendo dall'Età del Ferro (secoli X/VIII a.C.) si illustrano i linguaggi architettonici, le espressioni figurative, le manifestazioni artigianali della Grecia antica, seguendole fino al momento...
Mondadori, 2013. — 914 p. Un'introduzione allo studio dell'arte greca, presentata in un unico volume, in linea con i programmi ministeriali dei corsi di laurea triennale. Partendo dall'Età del Ferro (secoli X/VIII a.C.) si illustrano i linguaggi architettonici, le espressioni figurative, le manifestazioni artigianali della Grecia antica, seguendole fino al momento...
INSTAP Academic Press (Institute for Aegean Prehistory), 2007. — 252 p. This textbook is a compilation of the author's more than 35 years of teaching and excavation experience in the field of Aegean Bronze Age art history and archaeology. It is geared toward an audience of undergraduate and graduate students as an introduction to the Bronze Age art objects and architecture that...
INSTAP Academic Press (Institute for Aegean Prehistory), 2007. — 249 p. This textbook is a compilation of the authors more than 35 years of teaching and excavation experience in the field of Aegean Bronze Age art history and archaeology. It is geared toward an audience of undergraduate and graduate students as an introduction to the Bronze Age art objects and architecture that...
Phaidon Press, 1969. — 104 p. No work of art can be completely understood unless we know how it was created. Hence an unfinished painting or sculpture often shows revealing features which are lost in the finished work. Antique statues are almost incomprehensible to us in their technique because the greatest effects are here achieved by the smallest means. The present text...
New York: Thames & Hudson, 1998. — 287 p. This book completes John Boardman's study of Greek vase painting in the World of Art. The author demonstrates that all the components of Greek art that were to culminate in the Classical styles of the fifth century can be traced in the development of vase painting in early Greece, from the eleventh to the sixth centuries B.C. The vases are...
Hirmer, 1992. — 303 S. Dieses Standardwerk über griechische Kunst bietet eine Zusammenschau von allem, was an bedeutenden Kunstdenkmälern der gesamten griechischen Welt auf uns gekommen ist. Architektur und Plastik, Malerei. Vasenmalerei und alle Zweige der Kleinkunst aus einem Zeitraum von über tausend Jahren werden kritisch erklärt und in kulturgeschichtlichen Zusammenhängen...
Hirmer, 1992. — 296 S. Dieses Standardwerk über griechische Kunst bietet eine Zusammenschau von allem, was an bedeutenden Kunstdenkmälern der gesamten griechischen Welt auf uns gekommen ist. Architektur und Plastik, Malerei. Vasenmalerei und alle Zweige der Kleinkunst aus einem Zeitraum von über tausend Jahren werden kritisch erklärt und in kulturgeschichtlichen Zusammenhängen...
University of Texas Press, 1985. — 264 p. Photographs of the sculptures which decorate the Parthenon in Athens are accompanied by a discussion of the historical, social, and religious significance of the temple.
University of Texas Press, 1985. — 264 p. Photographs of the sculptures which decorate the Parthenon in Athens are accompanied by a discussion of the historical, social, and religious significance of the temple.
Thames and Hudson, 1997. — 252 p. Athenian black figure vases bear the work of consummate artists, like Exekias, who depicted on them scenes of myth and everyday life which deepen our knowledge and understanding of Greek antiquity. In this survey, Professor John Boardman enables the reader to study the many aspects of the vases, and to grasp the essential style of a painter or...
Thames and Hudson, 1996. — 252 p. Like his other two works on Athenian Figure Vases, John Boardman offers a detailed survey of the important painters and workshops of the time, providing readers with over five hundred illustrations and a complete bibliography. Particular attention is paid to the technique and to the production and marketing of these outstanding vases as well as...
Thames & Hudson, 1998. — 287 p. — (World of Art). This book completes John Boardman's study of Greek vase painting in the World of Art. The author demonstrates that all the components of Greek art that were to culminate in the Classical styles of the fifth century can be traced in the development of vase painting in early Greece, from the eleventh to the sixth centuries B.C....
R. Paknio leidykkla, 1998. — 305 p. Šis leidinys – autoritetingas ir drauge lengvai skaitomas graikų meno istorijos vadovas. Pirmasis jo variantas, išleistas 7 dešimtmečio pradžioj įvairiomis kalbomis šimtais tūkstančių egzempliorių, dabar gerokai išplėstas ir papildytas. Pasak paties autoriaus, „šis leidimas skiriasi tuo, kad jame atsižvelgta į naujus radinius, požiūrius bei...
Thames & Hudson, 2016. — 433 p. John Boardman, one of the best known and acknowledged scholars of the classical Greek world, has updated his definitive survey of its arts, the most influential and widely known historic artistic tradition of the Old World. In the twenty years since the last edition was released, valuable evidence has come to light which has dramatically enhanced...
Thames & Hudson, 2016. — 433 p. John Boardman, one of the best known and acknowledged scholars of the classical Greek world, has updated his definitive survey of its arts, the most influential and widely known historic artistic tradition of the Old World. In the twenty years since the last edition was released, valuable evidence has come to light which has dramatically enhanced...
Harry N. Abrams, 1972. — 466 p. The miniaturist art of gem engraving is the least familiar of the major arts of ancient Greece, yet we know it to have been practiced by the greatest artists. This book presents a comprehensive account of the art in Greek lands from the early Bronze Age down to the Hellenistic period. The gems are related to history and to the artistic...
Thames and Hudson, 1978. — 252 p. For most people there is no more satisfying expression of Greek art than its sculpture. It was the first, the only ancient art to break free from conceptual conventions for representing men and animals, and to explore consciously how art might imitate or even improve upon it. The first stages of this discovery, from the semi-abstract beginnings...
Thames and Hudson, 1995. — 248 p. This is the last in the series of Sir John Boardman's acclaimed handbooks on Greek sculpture; a sequel to similar volumes on the Archaic and Classical periods. Here, the story continues through the fourth century B.C. to the days of Alexander the Great. The innovations of the period are discussed, such as the female nude and portraiture, along...
Philipp von Zabern, 1981. — 287 S. Wie seine beiden anderen Arbeiten zu Athener Figurenvasen bietet John Boardman einen detaillierten Überblick über die wichtigsten Maler und Werkstätten der Zeit und bietet den Lesern über fünfhundert Illustrationen und eine vollständige Bibliographie. Besonderes Augenmerk wird auf die Technik und die Herstellung und Vermarktung dieser...
Philipp von Zabern, 1977. — 282 S. Athener Vasen mit schwarzen Figuren tragen das Werk vollendeter Künstler wie Exekias, die auf ihnen Szenen des Mythos und des Alltags darstellten, die unser Wissen und Verständnis der griechischen Antike vertiefen. In dieser Umfrage ermöglicht Professor John Boardman dem Leser, die vielen Aspekte der Vasen zu studieren und den wesentlichen...
Istituto Poligrafico e Zecca dello, 2004. — 323 p. Tra le espressioni artigianali dell' antichità classica la produzione ceramica greca si connota per la straordinaria eccellenza e diffusione. Tale risultato appare tanto più notevole considerando l' ordinarietà e la povertà della materia prima da cui è composta. Soltanto le ceramiche orientali sembrano avere avuto un' analoga...
Thames & Hudson, 2001. — 326 p. In this volume, Boardman examines the functions of vases in ancient Greek life and culture, and as messengers of style and subject. He relates the processes of identifying the artists themselves, their methods of manufacture and decoration, the artists' life and conduct in the potters' quarter in Greek towns, and the ways in which their wares...
Rusconi, 1998. — 272 p. I vasi ateniesi a figure nere recano il lavoro di artisti consumati, come Exekias, che vi ha raffigurato scene di mito e di vita quotidiana che approfondiscono la nostra conoscenza e comprensione dell'antichità greca. In questo sondaggio, il professor John Boardman consente al lettore di studiare i molti aspetti dei vasi e di cogliere lo stile essenziale...
Rusconi, 1992. — 272 p. Come i suoi altri due lavori sui vasi di figure ateniesi, John Boardman offre una panoramica dettagliata dei pittori e delle botteghe più importanti dell'epoca, fornendo ai lettori oltre cinquecento illustrazioni e una bibliografia completa. Particolare attenzione è rivolta alla tecnica e alla produzione e commercializzazione di questi eccezionali vasi,...
Homer, 2001. — 274 s. Bir çok insan için eski yunan sanatında heykeller kadar bakanı etkileyen, göze hoş gelen örnek yoktur. Söz konusu eserler, eski uygarlıkların sanatında ilk defa insan ya da hayvan tasvirlerinde 'kavramsal' kuralları bir kenara atan ve bilinçli olarak da sanatın nasıl doğadakini, yani yaşayanı taklit edebileceğini hatta onu nasıl daha geliştirebileceğini...
E.J. Brill, 1985. — 224 p. — (Cincinnati Classical Studies: New Series 5). A Symposium Held at the University of Cincinnati, April 2-3, 1982 Late Archaic Sculpture - Brunilde S. Ridgway Aspects of Onesimos - Brian A. Sparkes Early Classical Sculpture: The Bold Style - Evelyn B. Harrison Early Classical Vase-Painting - Erika Simon Greek Gem Engraving: Archaic to Classical - John...
McGraw-Hill, 1973. — 440 p. The heroic age of the Mycenaeans Greek beginnings and the remembrance of the Heroic Age Archaic Greek art Archaic Greek architecture Greek art 500-450 B.C. Greek classic art Greek art in its second classic phase: late fifth century to Alexander the Great Greek religious sanctuaries, urban architecture, and city planning Hellenistic art from Alexander...
Fine Arts Museums of San Francisco, Legion of Honor, 2017. — 191 p. This stunning book uses 21st-century technology to reveal the original colors of ancient sculpture. When Renaissance artists sought to imitate ancient sculpture, their medium of choice was pure, white marble, but little did they know that the works they emulated were originally painted in dazzling and powerful...
With contributions by Nicholas Gage, Olga Palagia, Jerome J. Pollitt, Olga Tzachou-Alexandri, Vassilis Lambrinoudakis, Angelos Delivorrias, Peter G. Calligas, Daniil I. Iakov, and Robertson Davies. — Wachington: National Gallery of Art, 1992. — 164 p.
The Greek Miracle celebrates the birth of humanism in Greece 25 centuries ago, which also produced an outburst of the creative...
Thames & Hudson, 2021. — 444 p. — ISBN 978-0-500-77605-6. The ancient Greeks recorded their mythology on vase paintings, engraved gems, and bronze and stone sculptures, offering depictions that often predate any references to the myths in literature or recount alternative, unfamiliar versions of these tales. In some cases, visual art provides our only evidence of these myths,...
University of Wisconsin Press, 1992. — 335 p. Myth, Ethos, and Actuality examines the depiction of mythic themes on Athenian public monuments in the period following the Persian wars, during the second and third quarters of the fifth century B.C. Using material remains, as well as the evidence of contemporary Greek history, rhetoric, and poetry, David Castriota interprets the...
C.H. Beck, 1971. — 448 S. — (Die griechische Kunst 4). Die Schwierigkeit, die hellenistische Kunst in ihren ursprünglichen Erscheinungen zu erfassen und die gemeinsamen Wesenszüge in ihren vielfältigen künstlerischen oder geographischen Ausdrucksmöglichkeiten zu bestimmen, ist so groß, daß die Bezeichnung für diese Epoche nicht immer die gleiche ist, denn für die einen bedeutet...
C.H. Beck, 1971. — 448 S. — (Die griechische Kunst 4). Die Schwierigkeit, die hellenistische Kunst in ihren ursprünglichen Erscheinungen zu erfassen und die gemeinsamen Wesenszüge in ihren vielfältigen künstlerischen oder geographischen Ausdrucksmöglichkeiten zu bestimmen, ist so groß, daß die Bezeichnung für diese Epoche nicht immer die gleiche ist, denn für die einen bedeutet...
Biblioteca Universale Rizzoli, 1996. — 441 p. « Molteplici sono le meraviglie della natura ma, fra tutte, la più grande meraviglia è l'uomo»: le parole di Sofocle esprimono l'essenza, l'oggetto centrale della ricerca artistica nell'età classica, il V e IV secolo. E a sua volta, la più compiuta manifestazione della razionalità umana è la città, la polis: l'arte classica greca è...
Princeton University Press, 2018. — 592 p. Greek Art and Aesthetics in the Fourth Century B.C. analyzes the broad character of art produced during this period, providing in-depth analysis of and commentary on many of its most notable examples of sculpture and painting. Taking into consideration developments in style and subject matter, and elucidating political, religious, and...
Beth Cohen, with contributions by Susan Lansing-Maish, Kenneth Lapatin, Jeffrey Maish, Joan R. Mertens, Marie Svoboda, Marion True and Dyfri Williams. Los Angeles: J. Paul Getty Museum, 2006. — 384 p. — ISBN: 0892369426. This book and the exhibition it accompanies are the first to examine in detail the full range of decorative techniques on Athenian terracotta vases from the...
Walter de Gruyter, 2013. — 316 p. — (Image & Context 12). Il libro è dedicato all’olpe Chigi, il celebre vaso protocorinzio della metà del VII sec. a.C., di cui vengono analizzati gli aspetti stilistici, iconografici e storici. Il pittore è un abilissimo ceramografo, che dimostra anche una contiguità con la prima pittura corinzia di grande formato. Il programma iconografico...
Biblioteca Universale Rizzoli, 1978. — 460 p. Un secolo è trascorso da quando Heinrich Schliemann, sulle orme dei poemi omerici, scopriva a Troia le sette città sovrapposte, e a Micene gli scheletri rivestiti d'oro degli Atridi: da allora gli scavi si sono moltiplicati in tutto il mondo mediterraneo, portando alla luce un immenso patrimonio culturale. Gli archeologi si sono...
Philipp von Zabern, 1993. — 138 S. — (Zaberns Bildbände zur Archäologie 9). Lustknaben, Satyrn, gefluegelte Phalli oder Paare beim Geschlechtsakt. Die Erotik nimmt in der bildlichen und plastischen Kunst des alten Griechenlands einen prominenten Platz einErotisch-sexuelles Tun verlockt zu allen Zeiten. Bildlich deutlich dargestellt und wortlich phantasieanregend beschrieben,...
Walter de Gruyter, 2018. — 398 S. — (Image & Context 17). Als scheinbar unverfänglicher terminus technicus ist der Begriff des Attributs in den Bildwissenschaften bisher theoretisch unterschätzt. Ziel dieses Buches ist es, grundsätzliche Problematiken in griechischen Bildern aufzuzeigen, welche sich am Attribut kristallisieren und mit denen die Bilder (und ihre modernen...
Walter de Gruyter, 2018. — 398 S. — (Image & Context 17). Als scheinbar unverfänglicher terminus technicus ist der Begriff des Attributs in den Bildwissenschaften bisher theoretisch unterschätzt. Ziel dieses Buches ist es, grundsätzliche Problematiken in griechischen Bildern aufzuzeigen, welche sich am Attribut kristallisieren und mit denen die Bilder (und ihre modernen...
Walter de Gruyter, 2010. — 727 S. — (Image & Context 7). Nikolaus Dietrich legt ein neues Modell zum Verständnis der Räumlichkeit griechischer Bilder vor, das er anhand der Analyse von Landschaftselementen in der attischen Vasenmalerei des 6. und 5. Jh. v. Chr. entwickelt. In nahsichtigen Untersuchungen werden Motive wie Bäume, Felsen und Geländelinien in ihrer konkreten...
Brill, 1987. — 118 p. — (Monumenta Graeca et Romana 6). The so-called Olympia Master is one of the most important Greek sculptors, but what were his earlier works and who were his followers? The present richly illustrated work attempts to put the Olympia Master into his context by defining and illustrating his personality and influence in works at Olympia and elsewhere.
Keyser, 1981. — 171 S. — (Keysers Sammlerbibliothek). Der Ruf der griechischen Antike, die > Wiege unserer Kultur< zu sein, hat dazu geführt, sie mit einem solchen Glanz des Erhabenen zu umgeben, daß viele Betrachter sich scheuen, griechische Kunstwerke unvoreingenommen anzuschauen und zu genießen. Dabei waren gerade die Griechen selbst ein sehr neugieriges Volk, und in ihrem...
Los Angeles: J. Paul Getty Museum, 2016. — 250 p.
In the ancient world, terracotta sculpture was ubiquitous. Readily available and economical—unlike stone suitable for carving—clay allowed artisans to craft figures of remarkable variety and expressiveness. Terracottas from South Italy and Sicily attest to the prolific coroplastic workshops that supplied sacred and decorative...
Hirmer, 1979. — 620 S. Aus der Frühzeit der griechischen Kunst kennen wir noch keine lebensgroßen und kaum selbständige figürliche Werke. Meist sind in den Ausgrabungen kleine Figuren geometrischen Stils aus dem 9. und 8. Jahrhundert zu Tage gekommen, teils aus gebranntem Ton (Terrakotta), teils aus Metall (Bronze oder Blei) oder Schnitzereien aus Knochen, Elfenbein und Holz...
Cambridge University Press, 2000. — 180 p. Since antiquity, the period from 480 to 323 BC in Greece has been considered to be the high point, the Classical era, of Hellenic culture. At that time, the values and customs of ancient Greece received an especially lucid expression in the visual arts. In this new overview, the political, social, and religious functions of Greek art are...
Wiley-Blackwell, 2016. — 400 p. Greek Sculpture presents a chronological overview of the plastic and glyptic art forms in the ancient Greek world from the emergence of life-sized marble statuary at the end of the seventh century BC to the appropriation of Greek sculptural traditions by Rome in the first two centuries AD. Compares the evolution of Greek sculpture over the...
Macmillan and Co., 1896. — 342 p. The monuments erected to the dead belong in every country, like funeral customs generally, to a deeper stratum of the national consciousness than do openly expressed beliefs. This is, in fact, a phase of the general law that in the history of religion cultus is more venerable and more conservative than doctrine. And as, further, the beliefs...
Paris: De Boccard, 1955. — 364 p. Mme Ghali s'était fait connaître par des publications très soignées de vases ou d'anses d'amphores ; elle nous donne aujourd'hui une œuvre d'une portée beaucoup plus vaste en étudiant le thème d'Hélène dans la littérature et dans l'art : travail considérable, entrepris sous les conseils du très regretté F. Cha- pouthier, et qu'elle a mené à...
Paris: De Boccard, 1955. — 104 p. Mme Ghali s'était fait connaître par des publications très soignées de vases ou d'anses d'amphores ; elle nous donne aujourd'hui une œuvre d'une portée beaucoup plus vaste en étudiant le thème d'Hélène dans la littérature et dans l'art : travail considérable, entrepris sous les conseils du très regretté F. Cha- pouthier, et qu'elle a mené à...
Cambridge University Press, 2010. — 506 p. This book endeavours to pinpoint the relations between musical, and especially instrumental, practice and the evolving conceptions of pitch systems. It traces the development of ancient melodic notation from reconstructed origins, through various adaptations necessitated by changing musical styles and newly invented instruments, to its...
Cambridge University Press, 2010. — 506 p. This book endeavours to pinpoint the relations between musical, and especially instrumental, practice and the evolving conceptions of pitch systems. It traces the development of ancient melodic notation from reconstructed origins, through various adaptations necessitated by changing musical styles and newly invented instruments, to its...
Cambridge University Press, 2010. — 340 p. Jane Ellen Harrison (1850-1928) was a prominent classical scholar who is remembered chiefly for her influential studies of Greek religion, archaeology, literature and art. Introductory Studies in Greek Art (1885) was Harrison's second book, published after a period spent studying archaeology at the British Museum under Sir Charles...
Walter de Gruyter, 2012. — 784 S. — (Image & Context 10). Im Zentrum sozialer Kommunikation steht der menschliche Körper. Die Entdeckung des menschlichen Körpers und seiner Rollen in Bildern Athens im 8. und 7. Jahrhundert v. Chr. eröffnet uns einen wichtigen Diskurshorizont dieser Gesellschaft. Indem der erste Teil des Buchs den Bildthemen – etwa Aufbahrung und Kampf – gilt,...
University of Michigan Press, 2008. — 199 p. Christine Mitchell Havelock's book takes a much- needed new look at some of the most famous icons of Western art: the nude statues that the Greeks produced to represent Aphrodite. The Aphrodite of Knidos, by master sculptor Praxiteles, is the leading example of this form. Other statues include the Capitoline and Medici Venuses, the...
Walter de Gruyter, 2016. — 801 S. — (Image & Context 15). Darstellungen des Dionysos und seines Kreises zieren zu Tausenden die bemalte Feinkeramik aus dem klassischen Athen. Die Studie unternimmt eine umfassende Deutung dieser außerordentlich wandelbaren Bildwelt und geht insbesondere der Frage nach, welche Funktion sie für ihre Betrachter im Kontext des Trinkgelages erfüllte,...
Walter de Gruyter, 2016. — 801 S. — (Image & Context 15). Darstellungen des Dionysos und seines Kreises zieren zu Tausenden die bemalte Feinkeramik aus dem klassischen Athen. Die Studie unternimmt eine umfassende Deutung dieser außerordentlich wandelbaren Bildwelt und geht insbesondere der Frage nach, welche Funktion sie für ihre Betrachter im Kontext des Trinkgelages erfüllte,...
New York and Toronto: Oxford University Press, 1981. — 216 p.: illus. — (World of Art). Language: English The magnificent works of ancient Crete, Mycenae, and the Cycladic Islands are awe-inspiring in their richness and variety. Frescoes, jewelry, sculpture, gold funeral masks, ivories, and countless other beautiful artifacts-all the significant works of art and architecture...
Oxford University Press, 1981. — 224 p. The magnificent works of ancient Crete, Mycenae, and the Cycladic Islands are awe-inspiring in their richness and variety. Frescoes, jewelry, sculpture, gold funeral masks, ivories, and countless other beautiful artifacts-all the significant works of art and architecture that are our legacy from those great civilizations in the third and...
C.H.Beck, 2022. — 130 S. Die Kultur des antiken Griechenland war stark von Bildern geprägt. Werke der Bildkunst waren fest in die zentralen Bereiche der Lebenswelt eingebunden: Sie fanden sich in den Heiligtümern und Tempeln, auf öffentlichen Plätzen und Gräbern und auf Gefäßen und Geräten, wie sie in den Wohnhäusern verwendet wurden. Diese meisterhafte Einführung stellt die...
Einaudi, 2008. — 173 p. Nella cultura dell'antica Grecia le immagini rivestivano un ruolo di enorme importanza. Le opere d'arte erano profondamente coinvolte nelle dimensioni principali dell'esistenza, collocate nei santuari e nei templi, sulle pubbliche piazze e sui sepolcri, ma presenti anche sui recipienti e sugli utensili di uso domestico. Questa introduzione all'argomento...
Crown Publishers, 1968. — 230 p. — (Art of the world). To the Greeks of the early historical period all the vessels and utensils made by their predecessors, before the tribes finally settled down, were the household goods of their ancestors. The huge walls of the prehistoric fortresses were explained as the work of the 'Cyclopes'. They stood there, wherever visible remains of...
Librairie ancienne Édouard Champion, 1924. — 547 p. The extremely cordial reception given to the Handbook of Attic Red-figured Vases and the wide spread demand for a similar work dealing with vases of the Attic black-figured style and other varieties which could no properly be included in the earlier volumes, is sufficient justification for the appearance of the present book....
Peeters, 2021. — 328 p. All Athenian black-figure vases - unique masterpieces as well as mass-produced vases - reflect the conventions of Athenian pictorial language. The starting point for this study is that knowledge of this pictorial language provides a better comprehension of the meaning of the representations. Athenians in the 6th century BCE knew its conventions...
The J. Paul Getty Museum, 2003. — 468 p. What were the function and significance of the ancient Greek marble statues of maidens known as korai? Whom were they supposed to represent? The author addresses these questions on the basis of her exhaustive research. Between the seventh and fifth centuries B.C., these statues, carved with extreme skill, were widely distributed across...
Walter de Gruyter, 2022. — 536 p. — (Image & Context 22). Sur les vases attiques, les fleurs opèrent en tant qu'ornements, agents figuratifs et signes polyvalents. Véhiculant des sensations à la fois visuelles, olfactives et tactiles, elles investissent l'image d'un faisceau de valeurs associées aux notions grecques de kosmos (parure, ordre, arrangement), de poikilia...
Cambridge University Press, 2008. — 388 p. This book explores how art and material culture were used to construct age, gender, and social identity in the Greek Early Iron Age, 1100-700 BC. Coming between the collapse of the Bronze Age palaces and the creation of Archaic city-states, these four centuries witnessed fundamental cultural developments and political realignments....
Parkstone Press International, 2012. — 256 p. Si l’âme est chrétienne, la beauté est grecque. Freud définit l’esthétisme comme une construction intellectuelle de paramètres personnels qui s’exprime en émotions sublimées. Avec la sculpture grecque, l’homme devient dieu, et les dieux font don de leur apparence à l’humanité. Défiant les lois de la gravité, les sculpteurs grecs...
Parkstone Press International, 2015. — 256 p. Greek Sculpture is probably the most well known aspect of Greek art, for a contemporary it expresses the most beautiful ideal and plastic perfection. It is the first of the Ancient Arts that looked to free itself from the imitative constraints, of the faithful representation of nature. Only a small part of the production of Greek...
Brill, 2008. — 170 p. — (Monumenta Graeca et Romana 12). The collection of Greek vases in the Detroit Institute of Arts has been compiled over the course of the twentieth century to reflect the range of painting styles and shapes which characterize the period from the eighth through fourth centuries B.C. This catalogue is the first publication of that collection, comprising...
Philipp von Zabern, 2012. — 196 S. Thomas Mannack gibt mit dieser Einführung einen vollständigen Überblick über die bemalte Keramik Griechenlands von den Anfängen im 1. Jt. v. Chr. bis zu ihrem Ende um 300 v. Chr. Übersichtlich und leicht verständlich werden die wichtigsten Formen und Stile figurenverzierter Keramik sowie die Töpfer, Maler und Werkstätten vorgestellt. Der Autor...
Proceedings of the conference sponsored by the Center for the Ancient Mediterranean at Columbia University, 23-24 March 2002. — Columbia University Press, 2004. — 190 p. — (Columbia Studies in the Classical Tradition). This volume deals with Greek painted vases, exploring them from various methodological points of view and moving beyond the traditional focus on connoisseurship...
Cornell University Press, 1988. — 267 p. Freestanding bronze statuary was the primary mode of artistic expression in classical Greece, yet it was not until the nineteenth century that any original large statues of that period were unearthed. Carol C. Mattusch enriches our knowledge of this beloved but elusive art form in a comprehensive study of the style and techniques of...
Bloomsbury Academic, 2020. — 208 p. The great 6th-century BCE Attic potter-painter Exekias is acclaimed as the most accomplished exponent of late 'black-figure' art. His vases, vessels, bowls and amphorae are reproduced on postcards and in other media all over the world. Despite his importance in the history of art and archaeology, little has been written about Exekias in his...
Archaeopress Archaeology, 2019. — 528 p. This publication on Greek Art gathers a large number of studies presented at the International Congress "Greek Art in Motion". Held in honour of Sir John Boardman’s 90th birthday, the congress took place at the Calouste Gulbenkian Foundation in Lisbon, 3-5 May, 2017. The volume first presents eight contributions by the keynote speakers...
With a foreword by Delfim Leão. — Archaeopress Archaeology, 2017. — 70 p. One of the most fascinating topics in the study of ancient art concerns artistic practices and models and the means of transmission of iconographic designs and decorative compositions. This phenomenon, although well known, has not drawn much attention of scholars of the ancient art. Apart from copies of...
Cambridge University Press, 1988. — 351 p. The wall paintings from the Cycladic island of Thera have astonished and delighted the archaeological world with the richness of their content and the remarkable state of their preservation. This book sets out to analyse the iconographic details of the miniature paintings, placing each within the broader context of the Aegean world....
BAR Publishing, 2007. — 79 p. — (BAR International Series 1636). The aim of this book is to demonstrate the value of psychology in the study of ancient art, enabling emphasis on the individual, in the sense of a human being or person in a general way, in addition to denoting a discrete human being possessing an individual identity. Not all aspects of psychology lend themselves...
Thames & Hudson, 2019. — 409 p. Celebrated for its abundant illustrations and accessible voice, Art & Archaeology of the Greek World arrives in its second edition with more coverage of the earliest Bronze Age and latest Hellenistic periods, and increased archaeological context; the picture of ancient Greek art is expanded to help readers better understand how the subject...
2nd Edition. — Thames and Hudson, 2019. — 408 p. Celebrated for its abundant illustrations and accessible voice, Art & Archaeology of the Greek World arrives in its second edition with more coverage of the earliest Bronze Age and latest Hellenistic periods, and increased archaeological context; the picture of ancient Greek art is expanded to help readers better understand how...
2nd Edition. — Thames & Hudson, 2018. — 408 p. Visually stunning, now with wider context. This is the text that sets a new standard in its field with striking visuals, fascinating reconstructions, accessible prose, and coverage of the wider Greek world. The Second Edition extends student understanding of Greek art in history through richer archaeological context and expanded...
University Of Chicago Press, 2010. — 287 p. In this wide-ranging study, Richard Neer offers a new way to understand the epoch-making sculpture of classical Greece. Working at the intersection of art history, archaeology, literature, and aesthetics, he reveals a people fascinated with the power of sculpture to provoke wonder in beholders. Wonder, not accuracy, realism,...
New York: The Metropolitan museum of art, 2000. — 256 p. This publication was designed not only to introduce the Museum's collection of Greek art to teachers and their students, but also to provide them with a general grounding in ancient Greek culture, from the prehistoric period to the end of the Classical age. Its range of resources gives educators great flexibility in engaging...
Quasar, 2009. — 250 p. — (Analecta Romana Instituti Danici: Supplementum 41). C. Isler-Kerényi - The study of Figured Pottery Today V. Stissi - Does Function Follow Form? Archaic Greek Pottery in its Find Contexts: Uses and Meanings D. Paleothodoros - Archaeological Context and Iconographic Analysis: Case studies from Greece and Etruria V. Nørskov - The Affairs of Lucien...
The University of Wisconsin Press, 2020. — 301 p. — (Wisconsin Studies in Classics). Painted vases are the richest and most complex images that remain from ancient Greece. Over the past decades, a great deal has been written on ancient art that portrays myths and rituals. Less has been written on scenes of daily life, and what has been written has been tucked away in...
Cambridge: Cambridge University Press, 2011. — 137 p. This book challenges historians to come to terms with the distortions that they systematically introduce into their work by their reliance on what has been written on paper without looking at what was and was not written on the body. This book is concerned with the ways in which texts relating to classical Greece, and in...
Walter de Gruyter, 2019. — 800 p. — (Ancient Greek and Roman Art and Architecture 1). The Handbook of Greek Sculpture aims to provide a detailed examination of current research and directions in the field. Bringing together an international cast of contributors from Greece, Italy, France, Great Britain, Germany, and the United States, the volume incorporates new areas of...
Walter de Gruyter, 2019. — 800 p. — (Ancient Greek and Roman Art and Architecture 1). The Handbook of Greek Sculpture aims to provide a detailed examination of current research and directions in the field. Bringing together an international cast of contributors from Greece, Italy, France, Great Britain, Germany, and the United States, the volume incorporates new areas of...
Cambridge University Press, 1996. — 250 p. The aim of this 1996 book is to identify and evaluate the distinctive styles of five important ancient Greek sculptors whose work is discussed by ancient writers. Its underlying assumption is that the history of Greek sculpture was not simply governed by impersonal, evolutionary forces but that, like the sculpture of later periods, it...
Brill, 1980. — 137 p. — (Monumenta Graeca et Romana 3). Table of Contents: Acknowledgements Abbreviation Testimonia Life and Craft from the Sources The Apollo Patroos Attributions Related to the Apollo Patroos Derivative Works Pliny’s List of Euphranor’s Bronzes Odds and Ends The Paintings Conclusion Appendix: The Attic School of Painting Select Bibliography on Euphranor...
Brill, 1993. — 177 p. — (Monumenta Graeca et Romana 7). This is the only comprehensive account of the Parthenon pediments in English and the first in any language since 1963. It serves as an up-to-date introduction to their study and includes new proposals for the restoration and interpretation of their composition. Debate on the Parthenon pediments has concentrated on the...
Laterza, 2014. — 288 p. "Venne il dio sulla terra dal cielo a mostrarti l'effigie, o tu andasti a mirarlo, Fidia, in cielo". Questo si diceva del colosso di Zeus a Olimpia, una delle sette meraviglie del mondo, opera di Fidia, insuperabile nel rappresentare la maestà e la bellezza degli dei. Peccato che l'unica testimonianza personale rimasta dello scultore sia un piccolo vaso...
Clarendon Press, 1931. — 445 p. This work is profusely illustrated with 200 textual figures and 53 plates. Humfry Gilbert Garth Payne was an English archaeologist and director of the British School of Archaeology in Athens from 1929 to his death in 1936.The greater part of this book is devoted to the vase-painting of Corinth in the seventh and sixth centuries B.C. List of the...
Prentice Hall, 2012. — 403 p. Now in its fifth edition, Greek Art and Archaeology charts the achievements of Greek art and civilization over 3000 years, from the abstract figures of the Cycladic islands and the mighty palaces of Crete to the baroque sculptures and complex architecture of the Hellenistic kingdoms. This new edition introduces a wealth of new material including...
Cambridge University Press, 1972. — 217 p. An account of the development of Greek art in the Classical period (about 480-320 BC) which places particular emphasis on the meaning and content of Greek sculpture, architecture and painting. Professor Pollitt reminds us that the visual arts in Greece, as elsewhere, were primarily vehicles of expression. He does not ignore formal...
Princeton University Press, 1995. — 431 p. Spotlighting superb examples of classical Greek art together with recent findings in anthropology, social history, psychology, classics, and classical archaeology, Pandora offers a multi-faceted look at women in myth, ritual, and daily life in classical Greece. In this catalogue, which was written to accompany an international...
Walter de Gruyter, 2018. — 608 S. — (Image & Context 18). Die Ausstattung repräsentativer Tempel- und Schatzhausarchitektur mit Bauskulpturen ist ein Phänomen, das vom 6. bis zum 4. Jahrhundert v. Chr. in Griechenland vielfältig anzutreffen ist. Die Akrotere auf dem Dach waren durch ihre Position besonders auffällig im Erscheinungsbild eines Gebäudes und nahmen damit...
Walter de Gruyter, 2018. — 608 S. — (Image & Context 18). Die Ausstattung repräsentativer Tempel- und Schatzhausarchitektur mit Bauskulpturen ist ein Phänomen, das vom 6. bis zum 4. Jahrhundert v. Chr. in Griechenland vielfältig anzutreffen ist. Die Akrotere auf dem Dach waren durch ihre Position besonders auffällig im Erscheinungsbild eines Gebäudes und nahmen damit...
Harvard University Press, 1944. — 218 p. — (Martin classical lectures 10). In Attica, around 580 BC, a series of tall gravestones begins, topped by the figure of a sphinx, on a simply decorated capital. After the mid-century the capital is elaborated as palmettes with spirals, but soon thereafter the stele type is simplified, with a palmette only. The type disppears in the...
Phaidon Press, 1970. — 392 p. More than fifty years have passed since the appearance of Deonna’s ‘Apollons archaiques’. In that time a number of new ‘Apollos’—or kouroi, i.e. youths, as we now call them — have been found, several of great importance; our knowledge of archaic Greek sculpture has advanced considerably; and the arts of photography and reproduction have been...
6th Revised edition. — Phaidon Press Ltd., 1969. — 432 p. — ISBN 0-7148-1351-6. Gisela Richter's classic book, first published in 1959, is the indispensable introduction to the study of Greek art: clear, factual, authoritative, and at the same time inspired and sensitive in its understanding and appreciation of the masterpieces it discusses. Lucidly arranged according to...
The University of Wisconsin Press, 1997. — 495 p. — (Wisconsin studies in classics). Brunilde Sismondo Ridgway, one of the world's leading experts on classical sculpture, turns her attention in this volume to the fourth century, a period of transition from the classical Athenian style to an array of styles found simultaneously in the Hellenistic diaspora. Though a period very...
Skira, 1959. — 202 p. — (The Great centuries of painting). Greek art: white marble is our first thought—temples shining in the sun, pale statues in museums. That was not how it seemed to the Greeks, nor, as this book will show, need it to us. As many Greek statues were of bronze as of stone, apart from precious images of ivorv and gold; marble figures and buildings were picked...
The English Press, 2012. — 117 p. The arts of ancient Greece have exercised an enormous influence on the culture of many countries, particularly in the areas of sculpture and architecture. In the West, the art of the Roman Empire was largely derived from Greek models. In the East, Alexander the Great's conquests initiated several centuries of exchange between Greek, Central...
Holle, 1980. — 272 S. — (Kunst der Welt). Der Sinn dieser ersten Monographie konnte nur eine historische Synthese sein. Die dafür notwendige Auswahl der Überlieferung war zu interpretieren und so anzuordnen,daß das Bedeutende hervortritt und, soweit es uns heute möglich ist, ingeschichtlicher Folge verständlich wird. Von der Fülle originaler Metallarbeitenin der Kleinkunst...
Crown Publishers, 1967. — 304 p. — (Art of the world). The Art of Classical Greece is intended to meet the need for an up-to-date survey of developments in architecture, sculpture, vase-painting, and the like during the golden age of Greek art, which may be regarded as extending from about 500 to 325 B.C. Professor Schefold divides this period of 175 years into four main...
Getty Publications, 1999. – 312 p.
Greek vases are one of the world's finest ceramic traditions. Even before a vase became a painted masterpiece, its graceful lines and elegant proportions made it a masterpiece of form.
Athenian Vase Construction details in a comprehensive, step-by-step fashion the manner in which the major Athenian vases were made. Photographs of pottery...
Reclam, 1971. — 515 S. Dieses Buch ist nicht für den Fachgelehrten geschrieben; auch nicht für den Fachstudenten; eher für »Studenten aller Fakultäten«, wie man früher ein Publikum- Kolleg nannte. Mehr noch für Schüler der höheren Klassen, die sich für das Alter-tum und seine Kunst interessieren. Vor allem aber und in erster Linie - der alten, guten Tradition des Verlages...
Reclam, 1971. — 515 S. Dieses Buch ist nicht für den Fachgelehrten geschrieben; auch nicht für den Fachstudenten; eher für »Studenten aller Fakultäten«, wie man früher ein Publikum- Kolleg nannte. Mehr noch für Schüler der höheren Klassen, die sich für das Alter-tum und seine Kunst interessieren. Vor allem aber und in erster Linie - der alten, guten Tradition des Verlages...
Propylaeum, 2018. — 887 S. — (Daidalos – Heidelberger Abschlussarbeiten zur Klassischen Archäologie 8). Obwohl die unvollständige Gestalt als Bestandteil eines narrativen Kontextes in der griechischen Flächenkunst vielfach greifbar ist, hat sie bislang noch nicht die Aufmerksamkeit erfahren, die sie verdient. Das vorliegende Werk unternimmt erstmals eine systematische...
Blackwell Companion to the Ancient World Series, 2012. — 836 p. The Greeks and their Art (Tyler Jo Smith and Dimitris Plantzos) Forms, Times, and Places Chronology and Topography (Nicki Waugh) Greek Decorated Pottery I: Athenian Vase-painting (Thomas Mannack) Greek Decorated Pottery II: Regions and Workshops (Stavros A. Paspalas) Free-standing and Relief Sculpture (Dimitris...
Wiley-Blackwell, 2012. — 900 p. — (Blackwell Companion to the Ancient World Series). This well-illustrated two-volume set offers a comprehensive, authoritative account of the development of Greek art through the 1st millennium BC. While there is no shortage of introductory handbooks on Greek art, the current publication takes a fresh look at the many facets of the subject, from...
Cambridge University Press, 1998. — 200 p. This is a study of the works of art from early Greece that have long been presented as "illustrations to Homer," but that are argued here to be nothing of the kind. Early Greek artists showed no preference for Homeric subjects and, when their interests did coincide with Homer's, treated his account as, at best, one of the possible...
Cambridge University Press, 2013. — 591 p. Ancient Greek sculpture seems to have a timeless quality – provoking reactions that may range from awe to alienation. Yet it was a particular product of its age: and to know how and why it was once created is to embark upon an understanding of its 'Classic' status. In this richly-illustrated and carefully-written survey, encompassing...
Cambridge University Press, 2013. — 350 p. Ancient Greek sculpture seems to have a timeless quality – provoking reactions that may range from awe to alienation. Yet it was a particular product of its age: and to know how and why it was once created is to embark upon an understanding of its 'Classic' status. In this richly-illustrated and carefully-written survey, encompassing...
University of Chicago Press, 2019. — 240 p. Perhaps the most spectacular of all Greek vases, the Sarpedon krater depicts the body of Sarpedon, a hero of the Trojan War, being carried away to his homeland for burial. It was decorated some 2,500 years ago by Athenian artist Euphronios, and its subsequent history involves tomb raiding, intrigue, duplicity, litigation,...
University of Chicago Press, 2019. — 240 p. Perhaps the most spectacular of all Greek vases, the Sarpedon krater depicts the body of Sarpedon, a hero of the Trojan War, being carried away to his homeland for burial. It was decorated some 2,500 years ago by Athenian artist Euphronios, and its subsequent history involves tomb raiding, intrigue, duplicity, litigation,...
Thames & Hudson, 1997. — 240 p. Many pieces of Greek sculpture are very familiar to us - the Discobolus, the Venus de Milo and the Parthenon frieze, for instance - but our appreciation of them as "works of art", enshrined in museums, is far removed from the ways in which the ancient Greeks saw and perceived them. To comprehend why Greek sculpture looks as it does we have to...
Wiley Blackwell, 2015. — 737 p. Offering a unique blend of thematic and chronological investigation, this highly illustrated, engaging text explores the rich historical, cultural, and social contexts of 3,000 years of Greek art, from the Bronze Age through the Hellenistic period. - Uniquely intersperses chapters devoted to major periods of Greek art from the Bronze Age through...
John Wiley & Sons, Inc., 2015. — 403 p. — ISBN: 978-1-4443-5014-2; ISBN: 978-1-4443-5015-9. Introduction and Issues in the History of Greek Art. The Early and Middle Bronze Ages c. 3100–1600 bce. The Late Bronze Age II–III (c. 1600–1075 bce). The Sub-Mycenaean, Protogeometric, and Geometric Periods (c. 1075–700 bce). Contexts I: Civic, Domestic, and Funerary. The Seventh...
Wiley Blackwell, 2015. — 737 p. Offering a unique blend of thematic and chronological investigation, this highly illustrated, engaging text explores the rich historical, cultural, and social contexts of 3,000 years of Greek art, from the Bronze Age through the Hellenistic period. - Uniquely intersperses chapters devoted to major periods of Greek art from the Bronze Age through...
Cambridge: Cambridge University Press, 2008, — 368 p. What was the "Classical Revolution" in Greek art? What were its contexts, aims, achievements, and impact? This book introduces students to these questions and offers some answers to them. Andrew Stewart examines Greek architecture, painting, and sculpture of the fifth and fourth centuries BC in relation to the great political,...
University of Texas Press, 2004. — 280 p. Some of the loveliest works of Archaic art were the Athenian korai--sculptures of beautiful young women presenting offerings to the goddess Athena that stood on the Acropolis. Sculpted in the sixth and early fifth centuries B.C., they served as votives until Persians sacked the citadel in 480/79 B.C. Subsequently, they were buried as a...
Los Angeles: J. Paul Getty Museum, 2007. — 320 p. Although Greek tragedy usually generates greater popularity and interest than comedy, past studies of the depiction on ceramic vases of theater scenes have mostly concentrated on comedies. A significant proportion of the vases with depictions of tragedy was first published only in the last twenty-five years. There has been no...
Princeton University Art Museum / Yale University Press, 2017. — 449 p. The Berlin Painter was the name given by British classicist and art historian Sir John Beazley to an otherwise anonymous Athenian red-figure vase-painter. The artist’s long career extended from about 505 B.C. well into the 460s, and his elegant renderings of daily life and mythological stories offer...
Los Angeles: J. Paul Getty Museum, 1983. — 160 p. — ISBN: 0892360585. — (Occasional Papers on Antiquities, vol. 1.). This first volume in the Occasional Papers on Antiquities (OPA) subseries on Greek vases features contributions on Sophilos, the Brygos Painter, Asteas, the Berlin and Kleophrades Painters, and the Mannheim Painter.
Los Angeles: J. Paul Getty Museum, 1985. — 260 p. — (Occasional Papers on Antiquities, vol. 3.). — ISBN: 0892360704. This volume in the J. Paul Getty Museum’s series Occasional Papers on Antiquities (OPA) includes separate examinations of Mycenaean vases and Southern Italian vases and terracottas at the Museum, a discussion by E. Anne Mackay of methodology in vase profile...
Los Angeles: J. Paul Getty Museum, 1986. — 152 p. — ISBN: 089236078X. — (Occasional Papers on Antiquities, vol. 2.). This volume in the Occasional Papers on Antiquities series includes analyses by Donna Kurtz and John Boardman of vase paintings depicting revelers associated with the poet Anakreon; an examination by Martin Robertson of pelikai by the Pan Painter; a commentary by...
Los Angeles: J. Paul Getty Museum, 1989. — 190 p. — ISBN: 0892361506. — (Occasional Papers on Antiquities, vol. 5.). The manufacture, decoration, and use of terracotta vessels in antiquity are explored throughout this volume, which includes studies of iconography, individual painters, provenance, function, and inscriptions. The fourteen articles are organized by fabric and by...
Los Angeles: J. Paul Getty Museum, 1991. — 200 p. — ISBN: 978-0-89236-184-7. — (Occasional Papers on Antiquities, vol. 7.). The Getty Museum houses an exceptional collection of ancient painted vases. This volume, the fifth in the Occasional Papers on Antiquities subseries on Greek vases, follows the direction taken by preceding volumes by introducing previously unpublished...
Los Angeles: J. Paul Getty Museum, 2008. — 200 p. — ISBN: 0892365617. — (Occasional Papers on Antiquities, vol. 9.). This is the sixth in a series of books that document the vast collection of Greek vases in the Getty Museum. In this volume are eight essays—in English, German, or Italian—that shed light on a number of objects from the Museum’s fine collection of antiquities....
NY: The Metropolitan museum of art, 1979. — 240 p. The exhibition now at The Metropolitan Museum of Art presents us with a rich sampling of the splendid cultural heritage of Greece. Not only does it emphasize the diverse geographic centers of artistic production but it also covers a broad chronological span, extending from the Early Bronze Age to the Classic Period of the fifth...
Clarendon Press, 1957. — 368 p. — (Oxford monographs on classical archaeology 5). The author tells us that this work started as a doctoral thesis on Amazons in Greek Art to the End of Attic Black-Figure; that it has now been entirely rewritten and brought down to the end of the fifth century; that Etruscan and Italiote Amazons have been excluded but will be treated elsewhere;...
J. Paul Getty Museum/Thames & Hudson, 1985. — 250 p. The Amasis Painter was one of ancient Greece’s greatest vase painters, yet his own name has not been recorded, and he is known today only by the name of the potter whose works he most often decorated. A true individualist in the history of Athenian painting, he produced work distinguished by its delicacy, precision, and wit....
Introduction by Louis A. Ruprecht Jr. — State University of New York Press, 2017. — 344 p. The controversial removal of the Parthenon sculptures from Greece to England in the first decade of the nineteenth century by Thomas Bruce, seventh Earl of Elgin, sparked an international competition for classical antiquities. This volume tells a lesser-known chapter of that story,...
Introduction by Louis A. Ruprecht Jr. — State University of New York Press, 2017. — 344 p. The controversial removal of the Parthenon sculptures from Greece to England in the first decade of the nineteenth century by Thomas Bruce, seventh Earl of Elgin, sparked an international competition for classical antiquities. This volume tells a lesser-known chapter of that story,...
Walter de Gruyter, 2015. — 704 S. — (Image & Context 4). Bildfriese mit aneinander gereihten Monstern und Wildtieren sind ein Leitmotiv in der frühen Bilderwelt der Griechen (etwa 700 bis 550 v. Chr.). In dem Buch geht es um die Aneignung der Monster-Ikonographie aus dem Orient sowie ihre spezifische Ausformung in der damals führenden Luxuskeramik von Korinth. Lorenz...
Walter de Gruyter, 2015. — 704 S. — (Image & Context 4). Bildfriese mit aneinander gereihten Monstern und Wildtieren sind ein Leitmotiv in der frühen Bilderwelt der Griechen (etwa 700 bis 550 v. Chr.). In dem Buch geht es um die Aneignung der Monster-Ikonographie aus dem Orient sowie ihre spezifische Ausformung in der damals führenden Luxuskeramik von Korinth. Lorenz...
2nd edition. — Bloomsbury Academic, 2015. — 224 p. The four centuries between the composition of the Homeric epics and the conquests of Alexander the Great witnessed an immensely creative period in Greek art, one full of experimentation and innovation. But time has taken its toll; damaged statues have lost their colour and wall paintings have been totally destroyed. And yet...
Archaeopress Archaeology, 2017. — 216 p. Ancient Greek vase-paintings offer broad-ranging and unprecedented early perspectives on the often intricate interplay of images and texts. This book investigates both epigraphic technicalities of Attic and non-Attic inscriptions, and their broader, iconographic and sociocultural, significance. Ancient Greek vase-paintings offer...
СПб.: Азбука-классика, 2007. — 400 с. В книге рассматриваются две начальные эпохи развития искусства Древней Греции - геометрика и архаика (IX-VI вв. до н. э.), когда после "темных веков", наступивших с падением минойско-микенской культуры II тыс. до н. э., в Элладе начала складываться новая художественная система. Произведения искусства обеих эпох анализируются в неразрывном...
СПб.: Азбука-классика, 2007. — 464 с. — (Новая история искусства). — ISBN: 978-5-352-02067-8. В книге рассматриваются две начальные эпохи развития искусства Древней Греции - геометрика и архаика (IX-VI вв. до н. э.), когда после "темных веков", наступивших с падением минойско-микенской культуры II тыс. до н. э., в Элладе начала складываться новая художественная система....
М.: Искусство, 1987. — 447 с. Издательство «Искусство» выпускает в свет последнюю книгу М. В. Алпатова — «Художественные проблемы искусства Древней Греции». Эта книга М. В. Алпатова, посвященная греческому искусству, ее истории, ее проблемам, ее памятникам, по своему замыслу и своей структуре в известной мере, продолжает его труд «Художественные проблемы итальянского...
М.: Искусство, 1987. — 447 с. Издательство «Искусство» выпускает в свет последнюю книгу М. В. Алпатова — «Художественные проблемы искусства Древней Греции». Эта книга М. В. Алпатова, посвященная греческому искусству, ее истории, ее проблемам, ее памятникам, по своему замыслу и своей структуре в известной мере, продолжает его труд «Художественные проблемы итальянского...
Л.: Издательство Государственного Эрмитажа, 1959. — 94 с.: ил. Пергамский алтарь, или алтарь Зевса, — выдающееся произведение монументальной пластики и архитектуры эллинистического периода, один из самых значительных памятников этого времени, сохранившихся до наших дней.Получил название по месту создания — одному из городов Малой Азии, столицы Пергамского царства, Пергаму....
Ленинград: Советский художник, 1968. — 96 с. Танагрские статуэтки — наиболее распространённый тип древнегреческих терракотовых статуэток эпохи эллинизма, отражающих обыденную жизнь античного дома и быт семьи. Они дают представление об одежде, украшениях, обыденных занятиях, играх и танцах древнегреческих женщин. Название дано по одному из центров изготовления таких фигурок,...
СПб. : Издательство Государственного Эрмитажа, 2015. — 456 с. — ISBN: 978-5-93572-611-9. В Эрмитаже хранится самая значительная в Восточной Европе коллекция расписных глиняных ваз VII–IV вв. до н. э., целых и фрагментированных, которые были произведены в мастерских древнего греческого города Коринф. В каталоге описаны все памятники — как представленные в экспозиции музея, так и...
Петербург, 1920. Одна из полных характеристик творчества древнегреческого мастера. Рассматриваются литературное предание о Лисиппе, античные воспроизведения статуй Лисиппа, Лисипп как художественная личность. Примечание: изображения в DOC-формате утеряны, но есть указания на названия работ и их расположения в музеях мира.
Учебное пособие. — М.: Наука, 1971. — 417 c.
Предлагаемая книга сложилась в свое время на основе многолетней работы Б. Р. Виппера (1888—1967) над проблемами античного искусства.
«Искусство Древней Греции» — не только лекционный курс: это одновременно глубоко содержательная, проникнутая единством замысла, прекрасно читающаяся книга. В ней мы находим яркое, часто оригинальное...
М.: Наука, 1972. — 436 с.
Книга, написанная одним из крупнейших советских искусствоведов, посвящена истории изобразительных искусств и архитектуры Древней Греции от их истоков до эпохи эллинизма. Подобное сжатое, оригинальное, глубокое освещение истории античного искусства предлагается читателям впервые. Последовательно исторически излагая материал, автор уделяет особое...
Л.: Изд-во Гос. Эрмитажа. 1961. — 120 с. В книге описаны образцы аттических чернофигурных и краснофигурных ваз из коллекции Античного отдела Эрмитажа, приведен список известных мастеров-вазописцев.
Учебное пособие. — Красноярск: Красноярский государственный педагогический университет им. В.П. Астафьева, 2021. — 152 с. — ISBN 978-5-00102-486-6. Учебное пособие «Античное искусство. Древняя Греция», кристаллизуя общее представление об эллинском искусстве, раскрывает этапы эволюции архитектуры, скульптуры и декоративной живописи Древней Греции. Предназначено студентам...
Учеб. пособие. — М.; Берлин: Директ-Медиа, 2014. — 714 с. — ISBN: 978-5-4475-0537-0. Учебное пособие «Введение в основы искусства Древней Греции» помогает сформировать основные представления о периодах и стилистических особенностях древнегреческого искусства, раскрыть и объяснить наиболее важные закономерности художественных процессов в культуре Древней Греции, а также выявить...
М.: Советский художник, 1974. — 293 с.: ил. Каталог выставки, проходившей в рамках Дней Болгарской культуры в СССР. Древняя Фракия долгое время оставалась почти неизученной страной. С ней связаны различные загадки и легенды. Сейчас фракийские курганы являются самым красноречивым источником для изучения древней культуры. Данная выставка представляла лишь часть фракийских...
М.: Искусство, 1970. – 446 с.
«Культура Эгейского мира», или «эгейская культура», развивалась на островах и в прибрежных областях Эгейского моря (в основном это остров Крит и Кикладские острова, юго-восточное побережье Греции и северо-западное побережье Малой Азии). Хронологические рамки ее определяются с одной стороны временем окончания неолита, а с другой — 12 в. доп. э.
По...
М.: Искусство, 1970. — 446 с.
«Культура Эгейского мира», или «эгейская культура», развивалась на островах и в прибрежных областях Эгейского моря (в основном это остров Крит и Кикладские острова, юго-восточное побережье Греции и северо-западное побережье Малой Азии). Хронологические рамки ее определяются с одной стороны временем окончания неолита, а с другой — 12 в. до н. э.
По...
Варшава: Аркады, 1977. — 98 c. — (Искусство и культура древнего мира). Место, которое греки считали выбранным Зевсом центром Земли, благоприятствовало возникновению такой легенды, ибо, пожалуй, ни в одном месте Греции природа не имеет столь величественного, столь грозного облика, как в Дельфах. Отвесные скалы Парнаса, нисходящие в этом месте к Коринфскому заливу, имеют вид террас....
Киев:Тип. Императорского ун-та св. Владимира, 1896. — 292 с. В книге «О жанровых сюжетах в греческом искусстве до эпохи эллинизма» Павлуцкого Г.Г., профессора истории живописи, заслуженного профессора университета св. Владимира, речь идет о расписных вазах, составляющих одно из драгоценнейших наследий древности, жанровых статуях. На вазах до нас дошел целый непрерывный ряд...
Издание второе, исправленное и дополненное. С 136-ю рисунками в текст и 6-ю фототипическими таблицами. — Киев: Типография С.В. Кульженко, 1897. — 307 с.
В книге «О жанровых сюжетах в греческом искусстве до эпохи эллинизма» Павлуцкого Г.Г., профессора истории живописи, заслуженного профессора университета св. Владимира, речь идет о расписных вазах, составляющих одно из...
М.: Искусство, 1969. — 80 с.
В книге широко представлена история олимпийских игр в Древней Греции в изображениях на вазах, скульптурах. Книга хорошо проиллюстрирована.
Рогатин: Друкарня ПП Білінський, 2014. — 28 с. В брошурі розглядаються проблеми пов'язані з дослідженнями грецького мистецтва Проаналізовані античний період розвитку грецької культури. Особливу увагу присвячено дослідженню становлення громадянського суспільства і розвитку культури Греції 6-1 ст. до н.е. Описано події громадського і культурного життя вказаного періоду....
Очерки истории и теории изобразительных искусств. — М.: Искусство, 1980. — 266 с. Книга посвящена искусству Древней Греции. Главное внимание уделено классическому наследию Эллады. Однако автор знакомит и с предшествующим периодом — крито-микенскнм искусством и искусством архаики. А в ааключительной главе рассказываегся также и об эллинистическом искусстве. Помимо анализа...
М.: Искусство, 1980. - 138 с. Книга посвящена искусству Древней Греции. Главное внимание уделено классическому наследию Эллады. Однако автор знакомит и с предшествующим периодом - крито-микенским искусством и искусством архаики. А в заключительной главе рассказывается также и об эллинистическом искусстве. Помимо анализа памятников изобразительного искусства автор привлекает...
М.: Новое литературное обозрение, 2023. — 624 с. — (Очерки визуальности). — ISBN 978-5-4448-2363-9. Ни в мифах, ни в поэмах Гомера и Гесиода образы богов, героев и царей не представлены наглядно. Поэтому художники ничуть не меньше поэтов ответственны за то, какими видели древние греки и видим мы обитателей Олимпа и главных действующих лиц Троянской войны. Вазописцы и скульпторы...
Государственный Эрмитаж. — СПб.: Изд-во Гос. Эрмитажа, 2012. — 320 с.: ил. — ISBN: 978-5-93572-445-0. В монографии впервые в отечественном и зарубежном искусствоведении исследован феномен влияния портретов Александра на изображения героев и богов в искусстве эллинистической эпохи; понятие «тип Александра» разработано применительно к стилистической эволюции. Монография...
Примечания, перевод и введение С. П. Кондратьева. — Ленинград: ОГИЗ - ИЗОГИЗ, 1936. — 192 с. Картины Филостратов Старшего и Младшего и Описание статуй Каллистрата – описания шедевров древнегреческого изобразительного искусства, написанные во II-III веке н. э. Эта книга – не только возможность узнать об античной живописи, в основном утраченной, но и памятник словесности. Надо...
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