Sydney: International Cultural Corporation of Australia Ltd., 1982. — 119 p.
Vasilv Kandinsky is a central figure in the development of twentieth-century art. More than any other painter, with the possible exception of Piet Mondrian, he is identified with the transition from representational to abstract art. Kandinsky, who was born in Russia in 1866, did not begin his career as...
New York: Solomon R. Guggenheim Museum, 1985. — 268 p. — ISBN10: 0892070498; ISBN13: 978-0892070497. Perhaps more than any other 20th-century painter, Vasily Kandinsky has been linked to the history of the Guggenheim Museum. The collection includes over 150 of his works, which are regularly presented in a dedicated gallery at the museum. The current selection, Kandinsky in...
New York: Solomon R. Guggenheim Museum, 1985. — 268 p. — ISBN-10: 0892070498; ISBN-13: 978-0892070497. Representing the third show in a project organizing Kandinsky’s artistic output by his geographical location, this catalogue along with Kandinsky in Munich and Kandinsky: Russian and Bauhaus Years, represents an extensive investigation into the life and work of the...
Delphi Classics, 2015. — Wassily Kandinsky was an influential Russian painter and art theorist, now celebrated as one of the pioneers of pure abstraction in modern painting. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing digital readers to explore the works of the world’s greatest artists in comprehensive detail. This volume presents...
Taschen, 2015. — 98 p. Over the course of his artistic career, Wassily Kandinsky (1866–1944) transformed not only his own style, but the course of art history. From early figurative and landscape painting, he went on to pioneer a spiritual, emotive, rhythmic use of color and line and is today credited with creating the first purely abstract work. As much a teacher and theorist...
Parkstone Press, n.d. — 80 p. — ISBN: 978-1-78042-439-2. Upon his return to Germany in 1921, Kandinsky developed his theory of the Science of Art in his book Concerning the Spiritual in Art in Weimar. The Bauhaus Period is the time of Kandinsky's most intense production when his genius would become better known to the world. This book allows us to discern the richness of...
Parkstone Press International, 2015. — 256 p. Wassily Kandinsky (1866-1944) was a Russian painter credited as being among the first to truly venture into abstract art. He persisted in expressing his internal world of abstraction despite negative criticism from his peers. He veered away from painting that could be viewed as representational in order to express his emotions,...
New York: Solomon R. Guggenheim Foundation, 1982. — 312 p. — ISBN-10: 0892070307; ISBN-13: 9780892070305. Merging the time-tested formats of the museum solo show and the historic location-centered exhibition, Kandinsky in Munich was the first of a series of in-depth curatorial examinations. Focusing exclusively on the artist’s early career in that city, the exhibition and...
Benedikt Taschen Verlag, 1999. — 35 S. — ISBN: 3-8166-2157-0. 30 Postkarten von Kandinsky erschienen im Benedikt Taschen Verlag in 1. Auflage in 1999 Das Werk ist in einem sehr guten Zustand und wurde scheinbar nicht oft gelesen. Es gibt wenige übliche altersbedingte Gebrauchs- und Lagerspuren und ein gewisses Maß an alters- und papierbedingter Bräunung. Namenseinträge,...
Transl. from German: Michael T.H. — Dover Publications, 2012. — 80 p. — ISBN: 978-0486132488, 0-48613248X. A pioneering work in the movement to free art from its traditional bonds to material reality, this book is one of the most important documents in the history of modern art. Written by the famous nonobjective painter Wassily Kandinsky (1866–1944), it explains Kandinsky's...
Ed. by Hilla Rebay. — New York: Guggenheim Foundation, 1946. — 158 p. A seminal text in the history of modern art, Vasily Kandinsky’s Über das Geistige in der Kunst was initially published in Munich in 1911. On the Spiritual in Art is the first complete English translation of Kandinsky’s text. Published by the Solomon R. Guggenheim Foundation, the text was edited and translated...
Ed. by Hilla Rebay. — New York: Guggenheim Foundation, 1946. — 158 p. A seminal text in the history of modern art, Vasily Kandinsky’s Über das Geistige in der Kunst was initially published in Munich in 1911. On the Spiritual in Art is the first complete English translation of Kandinsky’s text. Published by the Solomon R. Guggenheim Foundation, the text was edited and translated...
Kandinsky Wassily. Point and Line to Plane Transl. by Howard Dearstyne and Hilla Rebay. — Bloomfield Hills, MI: Cranbrook Press, 1947. — 218 p. First published in 1926 under the title of Punkt und Linie zu Fläche, Vasily Kandinsky’s Point and Line to Plane was released in an updated English edition in 1947 for the Museum of Non-Objective Painting, translated by Hilla Rebay and...
Kandinsky Wassily. Point and Line to Plane Transl. by Howard Dearstyne and Hilla Rebay. — Bloomfield Hills, MI: Cranbrook Press, 1947. — 218 p. First published in 1926 under the title of Punkt und Linie zu Fläche, Vasily Kandinsky’s Point and Line to Plane was released in an updated English edition in 1947 for the Museum of Non-Objective Painting, translated by Hilla Rebay and...
Baden-Baden: Woldemar Klein Verlag, 1955.- 66 Seiten
Mit einer Einleitung von Ludwig Grote und mit acht Farbtafeln
Стиль Кандинского приобрел известность благодаря многокрасочным полотнам, объединенным художником в циклы: "импровизации", "композиции" и "впечатления", нередко имеющие порядковые номера и подзаголовки. Период с 1909 по 1914 год был самым интенсивным, художник...
New York: Guggenheim Museum, 1983. — 360 p. — ISBN-10: 0892070447; ISBN-13: 978-0892070442. Documenting the second installment of three exhibitions which chronicled Kandinsky’s work through the places he lived (the others being Kandinsky in Munich and Kandinsky in Paris), this catalogue explores a period of the artist’s most prominent exploration into nonobjective painting. The...
Yale University Press, 1981. — vii, 136 pages. — ISBN: 0-300-02664-1. «Звуки» книга стихотворений, иллюстрированная автором – Василием Кандинским, блестящий образец «livre d'artiste» – «книги художника». Это первый полный перевод на английский язык. Книга содержит 38 стихотворений 56 гравюр, скомпонованных так, как и в оригинальном издании, а также оригинальный немецкий текст и...
Transl. and intr. by M. T. H. Sadler. — Boston; New York: Houghton Mifflin Company, 1914. — 151 p. The author is one of the leaders of the new art movement in Munich. The group of which he is a member includes painters, poets, musicians, dramatists, critics, all working to the same end— the expression of the soul of nature and humanity, or, as Kandinsky terms it, the intierer...
Transl. and intr. by M. T. H. Sadler. — Boston; New York: Houghton Mifflin Company, 1914. — 151 p. The author is one of the leaders of the new art movement in Munich. The group of which he is a member includes painters, poets, musicians, dramatists, critics, all working to the same end— the expression of the soul of nature and humanity, or, as Kandinsky terms it, the intierer...
New York: Solomon R. Guggenheim Foundation. 1980. — 84 p.
Vasily Kandinsky is a central figure in the development of twentieth century art. More than any other painter, with the possible exception of Piet Mondrian, he is identified with the transition from representational to abstract art. Kandinsky, who was born in Russia in 1866, did not begin his career as a painter until...
Catalog of an exhibition held at the Banco Bilbao Vizcaya Corporate Headquarters, April 9 - June 1, 1991. — Barcelona; New York: Solomon R. Guggenheim Museum, 1991. — 202 p.
En una expresiva y sugerente definición, el Consejo Internacional de los Museos, los ha llamado «Instituciones permanentes que conservan y exponen colecciones de objetos de carácter cultural con fines de...
New York: Solomon R. Guggenheim Museum, 1984. — 359 p.
The name of Vasily Kandinsky, as has been pointed out on previous occasions, is inextricably linked to the Guggenheim's history. More than that of any other artist, his work constitutes the core of the collection that Hilla Rebay assembled for her patron and for this institution, which was known as the Museum of...
New York: Solomon R. Guggenheim Foundation, 1945. — 120 p. Translations from the Russian by Boris Berg, from the German by Helen Carter "Text Artista"— Autobiography by Wassily Kandinsky, second version published Moscow 1918 Schematic plan of studies and work of the Institute of Art Culture, proposed by Wassily Kandinsky in 1920 The art of non-objective painting by V. Agrarych...
New York: Solomon R. Guggenheim Museum, 1982. — 319 p.
Vasily Kandinsky, it may be stated fairly, lived at least three lives in one. In the course of his seventy-eight years, despite an exceptionally late start as an artist, his work encompassed three stylistic phases which, though ultimately comprehensible as a unity, nevertheless are more than ordinarily separable from one...
New York: Solomon R. Guggenheim Foundation, 1996. — 57 p. A hundred years ago, on December 4, 1866, Vasily Kandinsky was born in Moscow. The Guggenheim Museum as one of the principal depositories of Kandinsky's work therefore wishes to join in the world-wide tributes offered to this great pioneer of modern painting. Since the retrospective held here as recently as 1963...
New York: Parkstone Press International. 2016. — 183 p. — ISBN: 978-1-78525-060-6 Wassily Kandinsky (1866-1944) was a Russian painter credited as being among the first to truly venture into abstract art. He persisted in expressing his internal world of abstraction despite negative criticism from his peers. He veered away from painting that could be viewed as representational in...
Yale University Press, 1995. — 291 p. — ISBN 0-300-05647-8. Vasilii Kandinsky, whom many consider to be the father of abstract painting, was also a trained ethnographer with an abiding interest in the folklore of Old Russia. In this provocative book, Peg Weiss provides an entirely new interpretation of Kandinsky's art by examining for the first time how this commitment to his...
Мосты культуры, 2010. — 344 с. — (Вид с горы Скопус).
Книга посвящена раннему периоду жизни и творчества Василия Кандинского (1866-1944), великого русского художника, открывшего абстрактный, многозначный язык формы и цвета. На этом этапе - до 1907 года - художник формулирует собственный мифотворческий символизм в фигуративных образах, отразивших его искания духовного, которые...
М. : Taschen / Арт-Родник. - 2002. - 96 с., ил.
Перевод с немецкого Е. Ю. Суржаниновой
Редактор Н. А. Булгакова
Корректор Ю. П. Баклакова
Творчество Кандинского, его достижения в поисках новых возможностей выражения в живописи, и - шире — нового понимания искусства и сегодня могут показаться странными, неуравновешенными, лишенными почвы. Однако у Кандинского, как,...
Пер. с нем. Елены Козиной. — Москва: АСТ, 2018. — 336 с.: ил. — (Библиотека Паолы Волковой). — ISBN: 978-5-17-106379-5. Василий Кандинский — российский и советский художник-авангардист польского происхождения, педагог, теоретик искусства, философ. Основоположник супрематизма — одного из наиболее ранних проявлений абстрактного искусства новейшего времени. В сборник «Размышления...
Предлагаемая коллекция картин выдающегося художника 20-го века Василия Васильевича Кандинского содержит более трехсот репродукций, а также фото Василия Васильевича. 1934-1944 1914-1921 1922-1933 1896-1913
Пер. с нем. Н. Б. Маньковской. Ориг.: Uber das Geistige in der Kunst. — М.: Рипол Классик, 2016. — 255 с.: ил. — (Искусство и действительность). — ISBN 978-5-386-09656-4. «О духовном в искусстве» – фундаментальная работа художника с мировым именем, одного из основателей абстракционизма и главного теоретика русского авангарда Василия Васильевича Кандинского, раскрывающая взгляды...
Москва: АСТ, 2018. — 381 с. — (Эпоха великих людей). — ISBN: 978-5-17-099078-8. Василий Кандинский – один из лидеров европейского авангарда XX века, но вместе с тем это подлинный классик, чье творчество определило пути развития европейского и отечественного искусства прошлого столетия. Практическая деятельность художника была неотделима от работы в области теории искусства:...
М.: Галарт, 1994. — 174 с., [32] л. цв. ил., портр. — ISBN: 5-269-00880-7. Судьба Василия Васильевича Кандинского сложилась совершенно необычно: на протяжении своей довольно долгой жизни он был гражданином трех стран — сначала России, затем Германии, а под конец своего жизненного пути — Франции. Последняя «прописка» художника была вынужденной: он покинул Германию, где пришел к...
М.: АСТ, 2019. — 160 с. — (Шедевры живописи на ладони). Искусство Японии ярко выделяется своей необычной эстетикой на общем фоне мировой культуры, и для западного человека оно кажется очень притягательным, загадочным и непостижимым. Японская живопись — одна из самых древних и красивейших в мире. Как и любая другая, она имеет свою длинную историю, представляющую собой долгий...
М.: АСТ, 2019. — 160 с. — (Шедевры живописи на ладони). Василий Кандинский – одна из ключевых фигур в европейском искусстве XX века, знаменитый живописец и и график, один из основоположников абстракционизма и основателей группы «Синий всадник», преподаватель Баухауса, теоретик. Художник, учитель, ценитель музыки, писатель и, конечно, философ мира искусства Василий Кандинский не...
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