Unidad Editorial, 2005. — 180 p. — (Los Grandes Genios del Arte 14). Piero della Francesca (h. 1420-1492). Artículo de presentación a cargo de Víctor Nieto Alcalde, Luz y geometría.Estudio sobre la vida y la obra del pintor, análisis de sus obras, por Pietro Allegretti. Biografía, bibliografía y breves comentarios críticos.
Oxford University Press, 2014. — 303 p. Largely neglected for the four centuries after his death, the fifteenth century Italian artist Piero della Francesca is now seen to embody the fullest expression of the Renaissance perspective painter, raising him to an artistic stature comparable with that of Leonardo da Vinci and Michelangelo. But who was Piero, and how did he become...
Historia16, 1993. — 136 p. — (El Arte Y Sus Creadores 4). Piero di Benedetto de' Franceschi, conocido como Piero della Francesca (Borgo del Santo Sepolcro, en el valle alto del Tíber, h. 1415–Borgo del Santo Sepolcro, 12 de octubre de 1492) fue un pintor italiano del Quattrocento (siglo XV). Actualmente se le aprecia sobre todo como pintor especialista en frescos, pero en su...
The Metropolitan Museum of Art, 2013. — 98 p. The Metropolitan Museum of Art is delighted to present Piero della Francesca: Personal Encounters. This book—an appropriately small gem—has been published in conjunction with an exhibition at the Met around one of the jewels in the collection of the Gallerie dell'Accademia in Venice: Piero della Francesca's Saint Jerome and a...
Wagenbach, 1990. — 192 S. Die Kunst Piero della Francescas(gest. 1492) ist ein Erzeugnis unseres Jahrhunderts: Lange unbeachtet, wurde sein Werk wiederentdeckt und bewundert, wo immer der Komplexität und der Sinnverwirrung im 20. Jahrhundert mit bewußter Reduktion, mit einer Sehnsucht nach dem Einfachen, Primitiven, mit griffigen Formeln oder mit trotziger Sachlichkeit begegnet...
Routledge, 2018. — 166 p. — (Visual Culture in Early Modernity). The fifteenth-century Italian artist Piero della Francesca painted a familiar world. Roads wind through hilly landscapes, run past farms, sheds, barns, and villages. This is the world in which Piero lived. At the same time, Piero’s paintings depict a world that is distant. The subjects of his pictures are often...
Phaidon, 2002. — 348 p. Piero della Francesca (c.1413-92) is one of the most intriguing artists of the early Italian Renaissance, known not only for the balance of his compositions and the emotional coolness of his style, but also for his outstanding talent as a mathematician. Taking advantage of documentary evidence that has emerged, particularly since the quincentenary of the...
Skira, 2000. — 79 p. Il restauro della Leggenda della vera Croce di Piero della Francesca, uno dei nostri capolavori più noti e amati in tutto il mondo, è finalmente compiuto. Sono stati necessari quindici anni di studi e ricerche e un inteso lavoro tecnico scientifico, curato dalla Sopn"ntendenw di Arezzo, per salvare le affascinanti storie che Piero dipinse a metà del...
Silvana, 2016. — 385 p. Il volume ripercorre il mito che si è affermato, nel corso di cinque secoli, intorno alla figura di Piero della Francesca, tra arte, critica e ricerca storiografica. Partendo dalla produzione artistica di Piero e dalle opere dei più grandi artisti del Rinascimento, il volume traccia i termini della fortuna del pittore, dall'oblio alla grande riscoperta...
Geneva: Editions d'Art Albert Skira, 1954. — 132 p.
Piero della Francesca was an Italian painter of the Early Renaissance. His painting was characterized by its serene humanism, its use of geometric forms and perspective. His most famous work is the cycle of frescoes
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